Rapid computer modeling of faces for animation

ABSTRACT

Described herein is a technique for creating a 3D face model using images obtained from an inexpensive camera associated with a general-purpose computer. Two still images of the user are captured, and two video sequences. The user is asked to identify five facial features, which are used to calculate a mask and to perform fitting operations. Based on a comparison of the still images, deformation vectors are applied to a neutral face model to create the 3D model. The video sequences are used to create a texture map. The process of creating the texture map references the previously obtained 3D model to determine poses of the sequential video images.

RELATED APPLICATIONS

This application is a continuation of U.S. patent application Ser. No.10/967,765, filed Oct. 18, 2004; which is a continuation of U.S. patentapplication Ser. No. 09/754,938, filed Jan. 4, 2001 now U.S. Pat. No.6,807,290; which claims the benefit of U.S. Provisional Application No.60/188,603, filed Mar. 9, 2000.

TECHNICAL FIELD

The disclosure below relates to generating realistic three-dimensionalhuman face models and facial animations from still images of faces.

BACKGROUND

One of the most interesting and difficult problems in computer graphicsis the effortless generation of realistic looking, animated human facemodels. Animated face models are essential to computer games, filmmaking, online chat, virtual presence, video conferencing, etc. So far,the most popular commercially available tools have utilized laserscanners. Not only are these scanners expensive, the data are usuallyquite noisy, requiring hand touchup and manual registration prior toanimating the model. Because inexpensive computers and cameras arewidely available, there is a great interest in producing face modelsdirectly from images. In spite of progress toward this goal, theavailable techniques are either manually intensive or computationallyexpensive.

Facial modeling and animation has been a computer graphics researchtopic for over 25 years [6, 16, 17, 18, 19, 20, 21, 22, 23, 27, 30, 31,33]. The reader is referred to Parke and Waters' book [23] for acomplete overview.

Lee et al. [17, 18] developed techniques to clean up and register datagenerated from laser scanners. The obtained model is then animated usinga physically based approach.

DeCarlo et al. [5] proposed a method to generate face models based onface measurements randomly generated according to anthropometricstatistics. They showed that they were able to generate a variety offace geometries using these face measurements as constraints.

A number of researchers have proposed to create face models from twoviews [1, 13, 4]. They all require two cameras which must be carefullyset up so that their directions are orthogonal. Zheng [37] developed asystem to construct geometrical object models from image contours, butit requires a turn-table setup.

Pighin et al. [26] developed a system to allow a user to manuallyspecify correspondences across multiple images, and use visiontechniques to computer 3D reconstructions. A 3D mesh model is then fitto the reconstructed 3D points. They were able to generate highlyrealistic face models, but with a manually intensive procedure.

Blanz and Vetter [3] demonstrated that linear classes of face geometriesand images are very powerful in generating convincing 3D human facemodels from images. Blanz and Vetter used a large image database tocover every skin type.

Kang et al. [14] also use linear spaces of geometrical models toconstruct 3D face models from multiple images. But their approachrequires manually aligning the generic mesh to one of the images, whichis in general a tedious task for an average user.

Fua et al. [8] deform a generic face model to fit dense stereo data, buttheir face model contains a lot more parameters to estimate becausebasically all of the vertexes are independent parameters, plus reliabledense stereo data are in general difficult to obtain with a singlecamera. Their method usually takes 30 minutes to an hour, while ourstakes 2–3 minutes.

Guenter et al. [9] developed a facial animation capturing system tocapture both the 3D geometry and texture image of each frame andreproduce high quality facial animations. The problem they solved isdifferent from what is addressed here in that they assumed the person's3D model was available and the goal was to track the subsequent facialdeformations.

SUMMARY

The system described below allows an untrained user with a PC and anordinary camera to create and instantly animate his/her face model in nomore than a few minutes. The user interface for the process comprisesthree simple steps. First, the user is instructed to pose for two stillimages. The user is then instructed to turn his/her head horizontally,first in one direction and then the other. Third, the user is instructedto identify a few key points in the images. Then the system computes the3D face geometry from the two images, and tracks the video sequences,with reference to the computed 3D face geometry, to create a completefacial texture map by blending frames of the sequence.

To overcome the difficulty of extracting 3D facial geometry from twoimages, the system matches a sparse set of corners and uses them tocompute head motion and the 3D locations of these corner points. Thesystem then fits a linear class of human face geometries to this sparseset of reconstructed corners to generate the complete face geometry.Linear classes of face geometry and image prototypes have previouslybeen demonstrated for constructing 3D face models from images in amorphable model framework. Below, we show that linear classes of facegeometries can be used to effectively fit/interpolate a sparse set of 3Dreconstructed points. This novel technique allows the system to quicklygenerate photorealistic 3D face models with minimal user intervention.

BRIEF DESCRIPTION OF THE DRAWINGS

FIG. 1 is a block diagram of a computer system capable of performing theoperations described below.

FIG. 2 illustrates how to mark facial features on an image.

FIGS. 3, 5, 6 are flow charts showing sequences of actions for creatinga 3D face model.

FIG. 4 shows the selection of different head regions as described below.

FIG. 7 illustrates a coordinate system that is based on symmetry betweenselected feature points on an image.

DETAILED DESCRIPTION

The following description sets forth a specific embodiment of a 3Dmodeling system that incorporates elements recited in the appendedclaims. The embodiment is described with specificity in order to meetstatutory requirements. However, the description itself is not intendedto limit the scope of this patent. Rather, the claimed invention mighteventually be embodied in other ways, to include different elements orcombinations of elements similar to the ones described in this document,in conjunction with other present or future technologies.

System Overview

FIG. 1 shows components of our system. The equipment includes a computer10 and a video camera 12. The computer is a typical desktop, laptop, orsimilar computer having various typical components such as akeyboard/mouse, display, processor, peripherals, and computer-readablemedia on which an operating system and application programs are storedand from which the operating system and application programs areexecuted. Such computer-readable media might include removable storagemedia, such as floppy disks, CDROMs, tape storage media, etc. Theapplication programs in this example include a graphics program designedto perform the various techniques and actions described below.

The video camera is an inexpensive model such as many that are widelyavailable for Internet videoconferencing. We assume the intrinsic cameraparameters have been calibrated, a reasonable assumption given thesimplicity of calibration procedures [36].

Data Capture

The first stage is data capture. The user takes two images with a smallrelative head motion, and two video sequences: one with the head turningto each side. Alternatively, the user can simply turn his/her head fromleft all the way to the right, or vice versa. In that case, the userneeds to select one approximately frontal view while the systemautomatically selects the second image and divides the video into twosequences. In the seque, we call the two images the base images.

The user then locates five markers in each of the two base images. Asshown in FIG. 2, the five markers correspond to the two inner eyecorners 20, nose tip 21, and two mouth corners 22.

The next processing stage computes the face mesh geometry and the headpose with respect to the camera frame using the two base images andmarkers as input.

The final stage determines the head motions in the video sequences, andblends the images to generate a facial texture map.

Notation

We denote the homogeneous coordinates of a vector x by {tilde over (x)},i.e., the homogeneous coordinates of an image point m=(u,v)^(T) are{tilde over (m)}=(u,v,l)^(T), and those of a 3D point p=(x,y,z)^(T) are{tilde over (p)}=(x,y,z,l)^(T). A camera is described by a pinholemodel, and a 3D point p and its image point m are related byλ{tilde over (m)}=APΩ{tilde over (p)}where λ is a scale, and A, P, and Ω are given by

$A = {{\begin{pmatrix}\alpha & \lambda & u_{0} \\0 & \beta & v_{0} \\0 & 0 & 1\end{pmatrix}\mspace{14mu} P} = {{\begin{pmatrix}1 & 0 & 0 & 0 \\0 & 1 & 0 & 0 \\0 & 0 & 1 & 0\end{pmatrix}\mspace{14mu}\Omega} = \begin{pmatrix}R & t \\0^{T} & 1\end{pmatrix}}}$The elements of matrix A are the intrinsic parameters of the camera andmatrix A maps the normalized image coordinates to the pixel imagecoordinates (see e.g. [7]). Matrix P is the perspective projectionmatrix. Matrix Ω is the 3D rigid transformation (rotation R andtranslation t) from the object/world coordinate system to the cameracoordinate system. When two images are concerned, a prime ′ is added todenote the quantities related to the second image.

The fundamental geometric constraint between two images is known as theepipolar constraint [7, 35]. It states that in order for a point m inone image and a point m′ in the other image to be the projections of asingle physical point in space, or in other words, in order for them tobe matched, they must satisfy{tilde over (m)}′^(T)A′^(−T)EA⁻¹{tilde over (m)}=0where E=[t_(r)]_(x)R_(r) is known as the essential matrix, (R_(r)t_(r))is the relative motion between the two images, and [t_(r)]_(x) is a skewsymmetric matrix such that t_(r)×v=[t_(r)]_(x)v for any 3D vector v.Linear Class of Face Geometries

Instead of representing a face as a linear combination of real faces orface models, we represent it as a linear combination of a neutral facemodel and some number of face metrics, where a metric is a deformationvector that linearly deforms a face in a certain way, such as to makethe head wider, make the nose bigger, etc. Each deformation vectorspecifies a plurality of displacements corresponding respectively to theplurality of 3D points of the neutral face model.

To be more precise, let's denote the face geometry by a vector S=(v₁^(T), . . . v_(n) ^(T))^(T), where v_(i)=(X_(i),Y_(i),Z_(i))^(T), (i=1,. . . ,n) are the vertices , and a metric by a vector M=(δv₁, . . .,δv_(n))^(T), where δv_(i)=(δX_(i),δY_(i),δZ_(i))^(T). Given a neutralface S⁰=(v₁ ^(0T), . . . v_(n) ^(0T))^(T), and a set of m metricsM^(j)=(δv₁ ^(jT), . . . δv_(n) ^(jT))^(T), the linear space of facegeometries spanned by these metrics is

$S = {{S^{0} + {\sum\limits_{j = 1}^{m}{c_{j}M^{j}\mspace{14mu}{subject}\mspace{14mu}{to}\mspace{14mu} c_{j}}}} \in \left\lbrack {l_{j},u_{j}} \right\rbrack}$where c_(j)'s are the metric coefficients and l_(j) and u_(j) are thevalid range of c_(j). In our implementation, the neutral face and allthe metrics are designed by an artist, and it is done only once. Theneutral face contains 194 vertices and 360 triangles. There are 65metrics.Image Matching and 3D Reconstruction

We now describe our techniques to determine the face geometry from justtwo views. The two base images are taken in a normal room by a staticcamera while the head is moving in front. There is no control on thehead motion, and the motion is unknown. We have to determine first themotion of the head and match some pixels across the two views before wecan fit an animated face model to the images. However, somepreprocessing of the images is necessary.

Determining Facial Portions of the Images

FIG. 3 shows actions performed to distinguish a face in the two selectedimages from other portions of the images.

There are at least three major groups of objects undergoing differentmotions between the two views: background, head, and other parts of thebody such as the shoulder. If we do not separate them, there is no wayto determine a meaningful head motion, since the camera is static, wecan expect to remove the background by subtracting one image from theother. However, as the face color changes smoothly, a portion of theface may be marked as background. Another problem with the imagesubtraction technique is that the moving body and the head cannot bedistinguished.

An initial step 100 comprises using image subtraction to create a firstmask image, in which pixels having different colors in the two baseimages are marked.

A step 101 comprises identifying locations of a plurality of distinctfacial features in the base images. In this example, the user does thismanually, by marking the eyes, nose, and mouth, as described above andshown in FIG. 2. Automated techniques could also be used to identifythese points.

A step 102 comprises calculating a range of skin colors by sampling thebase images at the predicted portions, or at locations that arespecified relative to the user-indicated locations of the facialfeatures. This allows us to build a color model of the face skin. Weselect pixels below the eyes and above the mouth, and compute a Gaussiandistribution of their colors in the RGB space. If the color of a pixelmatches this face skin color model, the pixel is marked as a part of theface.

A step 103 comprises creating a second mask image that marks any imagepixels having colors corresponding to the calculated one or more skincolors.

Either union or intersection of the two mask images is not enough tolocate the face because it will include either too many (e.g., includingundesired moving body) or too few (e.g., missing desired eyes and mouth)pixels. Since we already have information about the position of eyecorners and mouth corners, we initially predict the approximateboundaries of the facial portion of each image, based on the locationsidentified by the user. More specifically, step 104 comprises predictingan inner area and an outer area of the image. The outer area correspondsroughly to the position of the subject's head in the image, while theinner area corresponds roughly to the facial portion of the head.

FIG. 4 shows these areas, which are defined as ellipses. The innerellipse 23 covers most of the face, while the outer ellipse 24 isusually large enough to enclose the whole head. Let d_(e) be the imagedistance between the two inner eye corners, and d_(em), the verticaldistance between the eyes and the mouth. The width and height of theinner ellipse are set to 5d_(e) and 3d_(em). The outer ellipse is 25%larger than the inner one.

In addition, step 104 includes predicting or defining a lower area ofthe image that corresponds to a chin portion of the head. The lower areaaims at removing the moving body, and is defined to be 0.6d_(em) belowthe mouth.

Within the inner ellipse, a “union” or “joining” operation 105 is used:we note all marked pixels in the first mask image and also any unmarkedpixels of the first mask image that correspond in location to markedpixels in the second mask image. Between the inner and outer ellipses(except for the lower region), the first mask image is selected (106):we note all marked pixels in the first mask image. In the lower part, weuse an “intersection” operation 107: we note any marked pixels in thefirst mask image that correspond in location to marked pixels in thesecond mask image.

The above steps result in a final mask image (108) that marks the notedpixels as being part of the head.

Corner Matching and Motion Determination

One popular technique of image registration is optical flow [12, 2],which is based on the assumption that the intensity/color is conserved.This is not the case in our situation: the color of the same physicalpoint appears to be different in images because the illumination changeswhen the head is moving. We therefore resort to a feature-based approachthat is more robust to intensity/color variations. It consists of thefollowing steps: (i) detecting corners in each image; (ii) matchingcorners between the two images; (iii) detecting false matches based on arobust estimation technique; (iv) determining the head motion; (v)reconstructing matched points in 3D space.

FIG. 5 shows the sequence of operations.

Corner Detection. In a step 110, we use the Plessey corner detector, awell-known technique in computer vision [10]. It locates cornerscorresponding to high curvature points in the intensity surface if weview an image as a 3D surface with the third dimension being theintensity. Only corners whose pixels are white in the mask image areconsidered.

Corner Matching. In a step 111, for each corner in the first image wechoose an 11×11 window centered on it, and compare the window withwindows of the same size, centered on the corners in the second image. Azero-mean normalized cross correlation between two windows is computed[7]. If we rearrange the pixels in each window as a vector, thecorrelation score is equivalent to the cosine angle between twointensity vectors. It ranges from −1, for two windows which are notsimilar at all, to 1, for two windows which are identical. If thelargest correlation score exceeds a prefixed threshold (0.866 in ourcase), then that corner in the second image is considered to be thematch candidate of the corner in the first image. The match candidate isretained as a match if and only if its match candidate in the firstimage happens to be the corner being considered. This symmetric testreduces many potential matching errors.

False Match Detection. Operation 112 comprises detecting and discardingfalse matches. The set of matches established so far usually containsfalse matches because correlation is only a heuristic. The onlygeometric constraint between two images is the epipolar constraint{tilde over (m)}′^(T)A′^(−T)EA⁻¹{tilde over (m)}=0. If two points arecorrectly matched, they must satisfy this constraint, which is unknownin our case. Inaccurate location of corners because of intensityvariation of lack of string texture features is another source of error.In a step 109, we use the technique described in [35] to detect bothfalse matches and poorly located corners and simultaneously estimate theepipolar geometry (in terms of the essential matrix E). That techniqueis based on a robust estimation technique known as the least mediansquares [28], which searches in the parameter space to find theparameters yielding the smallest value for the median of squaredresiduals computer for the entire data set. Consequently, it is able todetect false matches in as many as 49.9% of the whole set of matches.

Motion Estimation

In a step 113, we compute an initial estimate of the relative headmotion between two images, denoted by rotation R_(r) and translationt_(r). If the image locations of the identified feature points areprecise, one could use a five-point algorithm to compute camera motionfrom Matrix E [7, 34]. Motion (R_(r), t_(r)) is then re-estimated with anonlinear least-squares technique using all remaining matches afterhaving discarded the false matches [34].

However, the image locations of the feature point are not usuallyprecise. A human typically cannot mark the feature points with highprecision. An automatic facial feature detection algorithm may notproduce perfect results. When there are errors, a five-point algorithmis not robust even when refined with a well-known bundle adjustmenttechnique.

For each of the five feature points, its 3D coordinates (x, y, z)coordinates need to be determined—fifteen (15) unknowns. Then, motionvector (R_(r), t_(r)) needs to be determined—adding six (6) moreunknowns. One unknown quantity is the magnitude, or global scale, whichwill never be determined from images alone. Thus, the number of unknownquantities that needs to be determined is twenty (i.e., 15+6−1=20). Thecalculation of so many unknowns further reduces the robustness of thefive point-tracking algorithm.

To substantially increase the robustness of the five point algorithm, anew set of parameters is created. These parameters take intoconsideration physical properties of the feature points. The property ofsymmetry is used to reduce the number of unknowns. Additionally,reasonable lower and upper bounds are placed on nose height and arerepresented as inequality constraints. As a result, the algorithmbecomes more robust. Using these techniques, the number of unknowns issignificantly reduced below 20.

Even though the following algorithm is described with respect to fivefeature points, it is straightforward to extend the idea to any numberof feature points less than or greater than five feature points forimproved robustness. Additionally, the algorithm can be applied to otherobjects besides a face as long as the other objects represent some levelof symmetry. Head motion estimation is first described with respect tofive feature points. Next, the algorithm is extended to incorporateother image point matches obtained from image registration methods.

Head Motion Estimation from Five Feature Points. FIG. 7 illustrates thenew coordinate system used to represent feature points. E₁ 202, E₂ 204,M₁ 206, M₂ 208, and N 210 denote the left eye corner, right eye corner,left mouth corner, right mouth corner, and nose top, respectively. A newpoint E 212 denotes the midpoint between eye corners E₁, E₂ and a newpoint M 214 identifies the midpoint between mouth corners M₁, M₂. Noticethat human faces exhibit some strong structural properties. For example,the left and right sides of a human face are very close to beingsymmetrical about the nose. Eye corners and mouth corners are almostcoplanar. Based on these symmetrical characteristics, the followingreasonable assumptions are made:

-   -   (1) A line E₁E₂ connecting the eye corners E₁ and E₂ is parallel        to a line M₁M₂ connecting the mouth corners.    -   (2) A line centered on the nose (e.g., line EOM when viewed        straight on or lines NM or NE when viewed from an angle as        shown) is perpendicular to mouth line M₁M₂ and to eye line E₁E₂.

Let π be the plane defined by E₁, E₂, M₁ and M₂. Let O 216 denote theprojection of point N on plane π. Let Ω₀ denote the coordinate system,which is originated at O with ON as the z-axis, OE as the y-axis; thex-axis is defined according to the right-hand system. In this coordinatesystem, based on the assumptions mentioned earlier, we can define thecoordinates of E₁, E₂, M₁, M₂, N as (−a, b, 0)^(T), (a, b, 0)^(T), (−d,−c, 0)^(T), (d, −c, 0)^(T), (0, 0, e)^(T), respectively.

By redefining the coordinate system, the number of parameters used todefine five feature points is reduced from nine (9) parameters forgeneric five points to five (5) parameters for five feature points inthis local coordinate system.

Let t denote the coordinates of O under the camera coordinate system,and R the rotation matrix whose three columns are vectors of the threecoordinate axis of Ω₀. For each point p ∈ {E₁, E₂, M₁, M₂, N}, itscoordinate under the camera coordinate system is Rp+t. We call (R, t)the head pose transform. Given two images of the head under twodifferent poses (assume the camera is static), let (R, t) and (R′, t′)be their head pose transforms. For each point p_(i) ∈ {E₁, E₂, M₁, M₂,N}, if we denote its image point in the first view by m_(i) and that inthe second view by m′_(i), we have the following equations:proj(Rp _(i) +t)=m _(i)  (1)andproj(R′p _(i) +t′)=m′ _(i)  (2)where proj is the perspective projection. Notice that we can fix one ofthe coordinates a, b, c, d, since the scale of the head size cannot bedetermined from the images. As is well known, each pose has six (6)degrees of freedom. Therefore, the total number of unknowns is sixteen(16), and the total number of equations is 20. If we instead use their3D coordinates as unknowns as in any typical bundle adjustmentalgorithms, we would end up with 20 unknowns and have the same number ofequations. By using the generic properties of the face structure, thesystem becomes over-constrained, making the pose determination morerobust.

To make the system even more robust, we add an inequality constraint one. The idea is to force e to be positive and not too large compared toa, b, c, d. In the context of the face, the nose is always out of planeπ. In particular, we use the following inequality:0≦e≦3a  (3)Three (3) is selected as the upper bound of e/a simply because it seemsreasonable and it works well. The inequality constraint is finallyconverted to equality constraint by using a penalty function.

$\begin{matrix}{P_{nose} = \left\{ \begin{matrix}{e*e} & {{{if}\mspace{14mu} e} < 0} \\0 & {{{if}\mspace{14mu} 0} \leq e \leq {3a}} \\{\left( {e - {3a}} \right)*\left( {e - {3a}} \right)} & {{{if}\mspace{14mu} e} > 0}\end{matrix} \right.} & (4)\end{matrix}$

In summary, based on equations (1), (2) and (4), we estimate a, b, c, d,e, (R, t) and (R′, t′) by minimizing

$\begin{matrix}{F_{5\;{pts}} = {{\sum\limits_{i = 1}^{5}{w_{i}\left( {{{m_{i} - {{proj}\left( {{Rp}_{i} + t} \right)}}}^{2} + {{m_{i}^{\prime} - {{proj}\left( {{R^{\prime}p_{i}} + t^{\prime}} \right)}}}^{2}} \right)}} + {w_{n}P_{nose}}}} & (5)\end{matrix}$where w_(i)'s and w_(n) are the weighting factors, reflecting thecontribution of each term. In our case, w_(i)=1 except for the nose termwhich has a weight of 0.5 because it is usually more difficult to locatethe nose top than other feature points. The weight for penalty w_(n) isset to 10. The objective function (5) is minimized using aLevenberg-Marquardt method [40]. More precisely, as mentioned earlier,we set a to a constant during minimization since the global head sizecannot be determined from images.

Incorporating Image Point Matches. If we estimate camera motion using isonly the five user marked points, the result is sometimes not veryaccurate because the markers contain human errors. In this section, wedescribe how to incorporate the image point matches (obtained by anyfeature matching algorithm) to improve precision.

Let (m_(j), m′_(j)) (j=1 . . . K) be the K point matches, eachcorresponding to the projections of a 3D point p_(j) according to theperspective projection (1) and (2). 3D points p_(j)'s are unknown, sothey are estimated. Assuming that each image point is extracted with thesame accuracy, we can estimate a, b, c, d, e, (R, t), (R′, t′), and{p_(j)} (j=1 . . . K) by minimizing

$\begin{matrix}{F = {F_{5\mspace{11mu}{pts}} + {w_{p}{\sum\limits_{j = 1}^{K}\left( {{{m_{j} - {{proj}\left( {{Rp}_{j} + t} \right)}}}^{2} + {{m_{j}^{\prime} - {{proj}\left( {{R^{\prime}p_{j}} + t^{\prime}} \right)}}}^{2}} \right)}}}} & (6)\end{matrix}$where F_(5pts) is given by (5), and w_(p) is the weighting factor. Weset w_(p)=1 by assuming, that the extracted points have the sameaccuracy as those of eye corners and mouth corners. The minimization canagain be performed using a Levenberg-Marquardt method. This is a quitelarge minimization problem since we need to estimate 16 +3 K unknowns,and therefore it is computationally quite expensive especially for largeK. Fortunately, as shown in [37], we can eliminate the 3D points using afirst order approximation. The following term∥m_(j)−proj(Rp_(j)+t)∥²+∥m′_(j)−proj(R′p_(j)+t′)∥²can be shown to be equal, under the first order approximation, to

$\frac{\left( {{\overset{\sim}{m}}_{j}^{\prime\; T}E{\overset{\sim}{m}}_{j}} \right)^{2}}{{{\overset{\sim}{m}}_{j}^{\prime\; T}E^{T}{ZZ}^{T}E{\overset{\sim}{m}}_{j}} + {{\overset{\sim}{m}}_{j}^{\prime\; T}E^{T}{ZZ}^{T}E{\overset{\sim}{m}}_{j}^{\prime}}}$where {tilde over (m)}_(j)=[m_(j) ^(T),1]^(T), {tilde over(m)}_(j)=[{tilde over (m)}_(j) ^(T),1]^(T),

${Z = \begin{bmatrix}1 & 0 \\0 & 1 \\0 & 0\end{bmatrix}},$and E is the essential matrix to be defined below.

Let (R_(r), t_(r)) be the relative motion between two views. It is easyto see thatR_(r)=R′R^(T), andt _(r) =t′−R′R ^(T) t.Furthermore, let's define a 3×3 antisymmetric matrix [t_(r)]_(x) suchthat [t_(r)]_(x)x=t_(r)×x for any 3D vector x. The essential matrix isthen given byE=[t _(r)]_(x) R _(r)  (7)which describes the epipolar geometry between two views [7].

In summary, the objective function (6) becomes

$\begin{matrix}{F = {F_{5\mspace{11mu}{pts}} + {w_{p}{\sum\limits_{j = 1}^{K}\frac{\left( {{\overset{\sim}{m}}_{j}^{\prime\; T}E{\overset{\sim}{m}}_{j}} \right)^{2}}{{{\overset{\sim}{m}}_{j}^{\prime\; T}E^{T}{ZZ}^{T}E{\overset{\sim}{m}}_{j}} + {{\overset{\sim}{m}}_{j}^{\prime\; T}E^{T}{ZZ}^{T}E{\overset{\sim}{m}}_{j}^{\prime}}}}}}} & (8)\end{matrix}$

Notice that this is a much smaller minimization problem. We only need toestimate 16 parameters as in the five-point problem (5), instead of 16+3 K unknowns.

To obtain a good initial estimate, we first use only the five featurepoints to estimate the head motion by using the algorithm described inSection 2. Thus we have the following two step algorithm:

-   -   Step1. Set w_(p)=0. Solve minimization problem 8.    -   Step2. Set w_(p)=1. Use the results of step 1 as the initial        estimates. Solve minimization problem (8).

Notice that we can apply this idea to the more general cases where thenumber of feature points is not five. For example, if there are only twoeye corners and mouth corners, we'll end up with 14 unknowns and 16+3 Kequations. Other symmetric feature points (such as the outside eyecorners, nostrils, and the like) can be added into equation 8 in asimilar way by using the local coordinate system Ω₀.

Head Motion Estimation Results. In this section, we show some testresults to compare the new algorithm with the traditional algorithms.Since there are multiple traditional algorithms, we chose to implementthe algorithm as described in [34]. It works by first computing aninitial estimate of the head motion from the essential matrix [7], andthen re-estimate the motion with a nonlinear least-squares technique.)

We have run both the traditional algorithm and the new algorithm on manyreal examples. We found many cases where the traditional algorithm failswhile the new algorithm successfully results in reasonable cameramotions. When the traditional algorithm fails, the computed motion iscompletely bogus, and the 3D reconstructions give meaningless results.But the new algorithm gives a reasonable result. We generate 3Dreconstructions based on the estimated motion, and perform Delauneytriangulation.

We have also performed experiments on artificially generated data. Wearbitrarily select 80 vertices from a 3D face model and project itsvertices on two views (the head motion is eight degrees apart). Theimage size is 640 by 480 pixels. We also project the five 3D featurepoints (eye corners, nose top, and mouth corners) to generate the imagecoordinates of the markers. We then add random noises to the coordinates(u, v) of both the image points and the markers. The noises aregenerated by a pseudo-random generator subject to Gausian distributionwith zero mean and variance ranging from 0.4 to 1.2. We add noise to themarker's coordinates as well. The results are plotted in FIG. 3. Theblue curve shows the results of the traditional algorithm and the redcurve shows the results of our new algorithm. The horizontal axis is thevariance of the noise distribution. The vertical axis is the differencebetween the estimated motion and the actual motion. The translationvector of the estimated motion is scaled so that its magnitude is thesame as the actual motion. The difference between two rotations ismeasured as the Euclidean distance between the two rotational matrices.

We can see that as the noise increases, the error of the traditionalalgorithm has a sudden jump at certain point. But, the errors of our newalgorithm grow much more slowly.

3D Reconstruction. In a step 114, matched points are reconstructed in 3Dspace with respect to the camera frame at the time when the first baseimage was taken. Let (m, m′) be a couple of matched points, and p betheir corresponding point in space. 3D point p is estimated such that∥m−{circumflex over (m)}∥²+∥m′−{circumflex over (m)}′∥² is minimized,where {circumflex over (m)} and {circumflex over (m)}′ are projectionsof p in both images according to the equation λ{tilde over(m)}=APΩ{tilde over (p)}.

3D positions of the markers are determined in the same way.

Fitting a Face Model

This stage of processing creates a 3D model of the face. The face modelfitting process consists of two steps: fitting to 3D reconstructedpoints and fine adjustment using image information.

3D Fitting

A step 120 comprises constructing a realistic 3D face model from thereconstructed 3D image calculated in step 111. Given a set ofreconstructed 3D points from matched corners and markers, the fittingprocess applies a combination of deformation vectors to a pre-specified,neutral face model, to deform the neutral face model approximately tothe reconstructed face model. The technique searches for both the poseof the face and the metric coefficients to minimize the distances fromthe reconstructed 3D points to the neutral face mesh. The pose of theface is the transformation

$T = \begin{pmatrix}{sR} & t \\0^{T} & 1\end{pmatrix}$from the coordinate frame of the neutral face mesh to the camera frame,where R is a 3×3 rotation matrix, t is a translation, and s is a globalscale. For any 3D vector p, we use notation T(p)=sRp+t.

The vertex coordinates of the face mesh in the camera frame is afunction of both the metric coefficients and the pose of the face. Givenmetric coefficients (c₁, . . . , c_(m)) and pose T, the face geometry inthe camera frame is given by

$S = {T\left( {S^{0} + {\sum\limits_{i = 1}^{n}{c_{i}M^{i}}}} \right)}$Since the face mesh is a triangular mesh, any point on a triangle is alinear combination of the three triangle vertexes in terms ofbarycentric coordinates. So any point on a triangle is also a functionof T and metric coefficients. Furthermore, when T is fixed, it is simplya linear function of the metric coefficients.

Let (p₁, p₂, . . . , p_(k)) be the reconstructed corner points, and (q₁,q₂, . . . , q₅) be the reconstructed markers. Denote the distance fromp_(i) to the face mesh S by d(p_(i), S). Assume marker q_(j) correspondsto vertex v_(m) _(j) of the face mesh, and denote the distance betweenq_(j) and v_(m) _(j) by d(q_(j), v_(m) _(j) ). The fitting processconsists of finding pose T and metric coefficients {c₁, . . . , c_(n)}by minimizing

${\sum\limits_{i = 1}^{n}{w_{i}{d^{2}\left( {p_{i},S} \right)}}} + {\sum\limits_{j = 1}^{5}{d^{2}\left( {q_{j},v_{m_{j}}} \right)}}$where w_(i) is a weighting factor.

To solve this problem, we use an iterative closest point approach. Ateach iteration, we first fix T. For each p_(i), we find the closestpoint g_(i) on the current face mesh S. We then minimizeΣw_(i)d²(p_(i),S)+Σd²(q_(j),v_(m) _(j) ). We set w_(i) to be 1 at thefirst iteration and 1.0/1+d²(p_(i), g_(i))) in the subsequentiterations. The reason for using weights is that the reconstruction fromimages is noisy and such a weight scheme is an effective way to avoidoverfitting to the noisy data [8]. Since both g_(i) and v_(m) _(j) arelinear functions of the metric coefficients for fixed T, the aboveproblem is a linear least square problem. We then fix the metriccoefficients, and solve for the pose. To do that, we recompute g_(i)using the new metric coefficients. Given a set of 3D correspondingpoints (p_(i), g_(i)) and (q_(j),v_(m) _(j) ), there are well knownalgorithms to solve for the pose. We use the quaternion-based techniquedescribed in [11]. To initialize this iterative process, we first usethe 5 markers to compute an initial estimate of the pose. In addition,to get a reasonable estimate of the head size, we solve for thehead-size related metric coefficients such that the resulting face meshmatches the bounding box of the reconstructed 3D points. Occasionally,the corner matching algorithm may produce points not on the face. Inthat case, the metric coefficients will be out of the valid ranges, andwe throw away the point that is the most distant from the center of theface. We repeat this process until metric coefficients become valid.

Fine Adjustment Using Image Information

After the geometric fitting process, we have now a face mesh that is aclose approximation to the real face. To further improve the result, weperform a search 130 for silhouettes and other face features in theimages and use them to refine the face geometry. The general problem oflocating silhouettes and face features in images is difficult, and isstill a very active research area in computer vision. However, the facemesh that we have obtained provides a good estimate of the locations ofthe face features, so we only need to perform search in a small region.

We use the snake approach [15] to compute the silhouettes of the face.The silhouette of the current face mesh is used as the initial estimate.For each point on this piecewise linear curve, we find the maximumgradient location along the normal direction within a small range (10pixels each side in our implementation). Then we solve for the vertexes(acting as control points) to minimize the total distance between allthe points and their corresponding maximum gradient locations.

We use a similar approach to find the upper lips.

To find the outer eye corner (not marked), we rotate the currentestimate of that eye corner (given by the face mesh) around the markedeye corner by a small angle, and look for the eye boundary using imagegradient information. This is repeated for several angles, and theboundary point that is the most distant to the marked corner is chosenas the outer eye corner.

We could also use the snake approach to search for eyebrows. However,our current implementation uses a slightly different approach. Insteadof maximizing image gradients across contours, we minimize the averageintensity of the image area that is covered by the eyebrow triangles.Again, the vertices of the eyebrows are only allowed to move in a smallregion bounded by their neighboring vertices. This has worked veryrobustly in our experiments.

We then use the face features and the image silhouettes as constraintsin our system to further improve the mesh, in a step 131. Notice thateach vertex on the mesh silhouette corresponds to a vertex on the imagesilhouette. We cast a ray from the camera center through the vertex onthe image silhouette. The projection of the corresponding mesh vertex onthis ray acts as the target position of the mesh vertex. Let v be themesh vertex and h the projection. We have equation v=h. For each facefeature, we obtain an equation in a similar way. These equations areadded to equation (5). The total set of equations is solved as before,i.e., we first fix the post T and use a linear least square approach tosolve the metric coefficients, and then fix the metric coefficientswhile solving for the pose.

Face Texture From Video Sequence

Now we have the geometry of the face from only two views that are closeto the frontal position. For the sides of the face, the texture from thetwo images is therefore quite poor or even not available at all. Sinceeach image only covers a portion of the face, we need to combine all theimages in the video sequence to obtain a complete texture map. This isdone by first determining the head pose for the images in the videosequence and then blending them to create a complete texture map.

Determining Head Motions in Video Sequences

FIG. 6 shows operations in creating a texture map. In an operation 140,successive images are first matched using the same corner detection,corner matching, and false match detection techniques described above.We could combine the resulting motions incrementally to determine thehead pose. However, this estimation is quite noisy because it iscomputed only from 2D points. As we already have the 3D face geometry, amore reliable pose estimation can be obtained by combining both 3D and2D information, as follows.

In an operation 141, the pose of each successive image is determined.Let us denote the first base image by I₀. This base image comprises oneof the two initial still images, for which the pose is already known.Because we know the pose of the base image, we can determine the 3Dposition of each point in the base image relative to the facial modelthat has already been computed.

We will denote the images on the video sequences by I₁, . . . , I_(v).The relative head motion from I_(i-1) to I_(i) is given by

${R = \begin{pmatrix}R_{ri} & t_{ri} \\0^{T} & 1\end{pmatrix}},$and the head pose corresponding to image I_(i) with respect to thecamera frame is denoted by Ω_(i). The technique works incrementally,starting with I₀ and I₁. For each pair of images (I_(i-1), I_(i)), weperform a matching operation to match points of image I_(i) withcorresponding points in I_(i-1). This operation uses the corner matchingalgorithm described above. We then perform a minimization operation,which calculates the pose of I_(i) such that projections of 3D positionsof the matched points of I_(i-1) onto I_(i) coincide approximately withthe corresponding matched points of I_(i). More specifically, theminimization operation minimizes differences between the projections of3D positions of the matched points of I_(i-1) onto I_(i) and thecorresponding matched points of I_(i). Let us denote the matched cornerpairs as {(m_(j),m′_(j))|j=1, . . . l}. For each m_(j) in I_(i-1), wecast a ray from the camera center through m_(j), and compute theintersection x_(j) of that ray with the face mesh corresponding to imageI_(i-1). According to the equation λ{tilde over (m)}=APΩ{tilde over(p)}, R_(i) is subject to the following equationsAPR_(i){tilde over (x)}_(j)=λ_(j){tilde over (m)}′_(j) for j=1, . . . ,lwhere A, P, x_(j) and m′_(j) are known. Each of the above equationsgives two constraints on R_(i). We compute R_(i) with a techniquedescribed in [7], which minimizes the sum of differences between eachpair of matched points (m_(j),m′_(j), After R_(i) is computed, the headpose for image I_(i) in the camera frame is given by Ω_(i)=R_(i)Ω_(i-1). The head pose Ω₀ is known from previous calculations involvingthe two still images.

In general, it is inefficient to use all the images in the videosequence for texture blending, because head motion between twoconsecutive frames is usually very small. To avoid unnecessarycomputation, the following process is used to automatically selectimages from the video sequence. Let us call the amount of rotation ofthe head between two consecutive frames the rotation speed. If s is thecurrent rotation speed and α is the desired angle between each pair ofselected images, the next image is selected α/s frames away. In ourimplementation, the initial guess of the rotation speed is set to 1degree/frame and the desired separation angle is equal to 5 degrees.

Texture Blending

Operation 142 is a texture blending operation. After the head pose of animage is computed, we use an approach similar to Pighin et al.'s method[26] to generate a view independent texture map. We also construct thetexture map on a virtual cylinder enclosing the face model. But insteadof casting a ray from each pixel to the face mesh and computing thetexture blending weights on a pixel by pixel basis, we use a moreefficient approach. For each vertex on the face mesh, we computed theblending weight for each image based on the angle between surface normaland the camera direction [26]. If the vertex is invisible, its weight isset to 0.0. The weights are then normalized so that the sum of theweights over all the images is equal to 1.0. We then set the colors ofthe vertexes to be their weights, and use the rendered image of thecylindrical mapped mesh as the weight map. For each image, we alsogenerate a cylindrical texture map by rendering the cylindrical mappedmesh with the current image as texture map. Let C_(i) and W_(i) (I=1, .. . , k) be the cylindrical texture maps and the weight maps. Let D bethe final blended texture map. For each pixel (u, v), its color on thefinal blended texture map is

${C\left( {u,v} \right)} = {\sum\limits_{i = 1}^{k}{{W_{i}\left( {u,v} \right)}{{C_{i}\left( {u,v} \right)}.}}}$

Because the rendering operations can be done using graphics hardware,this approach is very fast.

User Interface

We have built a user interface to guide the user through collecting therequired images and video sequences, and marking two images. The generichead model without texture is used as a guide. Recorded instructions arelip-synced with the head directing the user to first look at a dot onthe screen and push a key to take a picture. A second dot appears andthe user is asked to take the second still image. The synthetic facemimics the actions the user is to follow. After the two still images aretaken, the guide directs the user to slowly turn his/her head to recordthe video sequences. Finally, the guide places red dots on her own faceand directs the user to do the same on the two still images. Thecollected images and markings are then processed and a minute or twolater they have a synthetic head that resembles them.

Animation

Having obtained the 3D textured face model, the user can immediatelyanimate the model with the application of facial expressions includingfrowns, smiles, mouth open, etc.

To accomplish this we have defined a set of vectors, which we callposemes. Like the metric vectors described previously, posemes are acollection of artist-designed displacements. We can apply thesedisplacements to any face as long as it has the same topology as theneutral face. Posemes are collected in a library of actions andexpressions.

The idle motions of the head and eyeballs are generated using Perlin'snoise functions [24, 25].

Results

We have used our system to construct face models for various people. Nospecial lighting equipment or background is required. After data captureand marking, the computations take between 1 and 2 minutes to generatethe synthetic textured head. Most of this time is spent tracking thevideo sequences.

For people with hair on the sides or the front of the face, our systemwill sometimes pick up corner points on the hair and treat them aspoints on the face. The reconstructed model may be affected by them. Forexample, a subject might have hair lying down over his/her forehead,above the eyebrows. Our system treats the points on the hair as normalpoints on the face, thus the forehead of the reconstructed model ishigher than the real forehead.

In some animations, we have automatically cut out the eye regions andinserted separate geometries for the eyeballs. We scale and translate ageneric eyeball model. In some cases, the eye textures are modifiedmanually by scaling the color channels of a real eye image to match theface skin colors. We plan to automate this last step shortly.

Even though the system is quite robust, it fails sometimes. We havetried our system on twenty people, and our system failed on two of them.Both people are young females with very smooth skin, where the colormatching produces too few matches.

Perspectives

Very good results obtained with the current system encourage us toimprove the system along three directions. First, we are working atextracting more face features from two images, including the lower lipand nose.

Second, face geometry is currently determined from only two views, andvideo sequences are used merely for creating a complete face texture. Weare confident that a more accurate face geometry can be recovered fromthe complete video sequences.

Third, the current face mesh is very sparse. We are investigatingtechniques to increase the mesh resolution by using higher resolutionface metrics or prototypes. Another possibility is to computer adisplacement map for each triangle using color information.

Several researchers in computer vision are working at automaticallylocating facial features in images [29]. With the advancement of thosetechniques, a completely automatic face modeling system can be expected,even though it is not a burden to click just five points with ourcurrent system.

Additional challenges include automatic generation of eyeballs and eyetexture maps, as well as accurate incorporation of hair, teeth, andtongues.

Conclusions

We have developed a system to construct textured 3D face models fromvideo sequences with minimal user intervention. With a few simple clicksby the user, our system quickly generates a person's face model which isanimated right away. Our experiments show that our system is able togenerate face models for people of different races, of different ages,and with different skin colors. Such a system can be potentially used byan ordinary user at home to make their own face models. These facemodels can be used, for example, as avatars in computer games, onlinechatting, virtual conferencing, etc.

Although details of specific implementations and embodiments aredescribed above, such details are intended to satisfy statutorydisclosure obligations rather than to limit the scope of the followingclaims. Thus, the invention as defined by the claims is not limited tothe specific features described above. Rather, the invention is claimedin any of its forms or modifications that fall within the proper scopeof the appended claims, appropriately interpreted in accordance with thedoctrine of equivalents.

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1. One or more computer-readable media containing a program that isexecutable by a computer to create a 3D model of a face, the programcomprising the following actions: capturing at least two images of theface; finding matched points in the two images based on locationsidentified by a human user on at least one of the images; estimatingrotation and translation of the face based on the matched points in theimages; determining 3D positions of the matched points based on theestimated rotation and translation to create a 3D representation of theface; capturing a succession of 2D images containing the face in a rangeof poses; determining poses of the face by performing the followingactions for each 2D image in succession: matching points of the face inthe 2D image with corresponding points of a previous 2D image whose poseis already known, wherein the matched points of the images havecorresponding 3D positions in fitted neutral face model, the 3Dpositions being determined by the poses of the images; and calculating apose for the 2D image that minimizes differences between projections of3D positions of matched points of the previous image onto the givenimage and the corresponding matched points of the given image.
 2. One ormore computer-readable media as recited in claim 1, further comprising:fitting a neutral face model to the 3D representation by applyingdeformation vectors to the neutral face model.
 3. One or morecomputer-readable media as recited in claim 1, wherein the identifiedlocations are distinct facial features.
 4. One or more computer-readablemedia as recited in claim 1, wherein the identified locations correspondto eyes, nose and mouth.
 5. One or more computer-readable media asrecited in claim 1, wherein the identified locations corresponding toone or more of the following: eye corners, mouth ends, and nose tip. 6.A method to create a 3D model of a face, the method comprising thefollowing actions: capturing at least two images of the face; findingmatched points in the two images based on locations identified by ahuman user on at least one of the images; estimating rotation andtranslation of the face based on the matched points in the images;determining 3D positions of the matched points based on the estimatedrotation and translation to create a 3D representation of the face;capturing a succession of 2D images containing the face in a range ofposes; determining poses of the face by performing the following actionsfor each 2D image in succession: matching points of the face in the 2Dimage with corresponding points of a previous 2D image whose pose isalready known, wherein the matched points of the images havecorresponding 3D positions in fitted neutral face model, the 3Dpositions being determined by the poses of the images; and calculating apose for the 2D image that minimizes differences between projections of3D positions of matched points of the previous image onto the givenimage and the corresponding matched points of the given image.
 7. Amethod as recited in claim 6, further comprising: fitting a neutral facemodel to the 3D representation by applying deformation vectors to theneutral face model.
 8. A method as recited in claim 6, furthercomprising: creating a texture map from the succession of 2D images inconjunction with the determined poses of the 2D images.
 9. A method asrecited in claim 6, wherein the identified locations correspond to oneor more of the following: eye corners, mouth ends, and nose tip.
 10. Amethod as recited in claim 6, wherein the identified locationscorrespond to eye corners, mouth ends, and nose tip.
 11. A device thatcreates a 3D model of a face, the device being configured to performactions comprising: means for capturing at least two images of the face;means for finding matched points in the two images based on locationsidentified by a human user on at least one of the images; means forestimating rotation and translation of the face based on the matchedpoints in the images; means for determining 3D positions of the matchedpoints based on the estimated rotation and translation to create a 3Drepresentation of the face; means for capturing a succession of 2Dimages containing the face in a range of poses; means for determiningposes of the face by performing the following actions for each 2D imagein succession: means for matching points of the object in the 2D imagewith corresponding points of a previous 2D image whose pose is alreadyknown, wherein the matched points of the images have corresponding 3Dpositions in fitted neutral face model, the 3D positions beingdetermined by the poses of the images; and means for calculating a posefor the 2D image that minimizes differences between projections of 3Dpositions of matched points of the previous image onto the given imageand the corresponding matched points of the given image.
 12. A device asrecited in claim 11, further comprising: means for fitting a neutralface model to the 3D representation by applying deformation vectors tothe neutral face model.
 13. A device as recited in claim 11, wherein theidentified locations correspond to one or more of the following: eyecorners, mouth ends, and nose tip.
 14. A device as recited in claim 11,wherein the identified locations correspond to eye corners, mouth ends,and nose tip.
 15. A device as recited in claim 11, the actions furthercomprising: creating a texture map from the succession of 2D images inconjunction with the calculated poses of the 2D images.